A Fashion Analysis of the Costume Design in Nosferatu

Gothic and medieval fashion are set to become the favorite trends for 2025

Hello! I hope you’re doing great. I wanted to share some thoughts and feelings about the costume design in Nosferatu, Robert Eggers’ new film, which I had the chance to watch a few days ago. Rather than a review of the story, my intention with this text is to provide you with a deeper perspective on two trends that I believe will become favorites for fashion and style enthusiasts.

I’m talking about the medieval and gothic trends—the very ones Pinterest Predicts highlighted a few months ago and that are now gaining momentum. From Chapelle Roan channeling Joan of Arc at the MTV Awards to Lady Gaga donning Victorian accessories in her latest Carpool Karaoke, the costume design in Nosferatu is a visual feast. So, without further ado, I leave you with this essay to spark dialogue and inspire conversation.

Hope you like it ;)

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Cinema, when placed in the hands of visionaries, doesn’t just tell stories—it dresses them. In Robert Eggers’ new take on Nosferatu, costume design is far from a decorative afterthought; it’s a language unto itself, meticulously crafted by Linda Muir. This element, as fundamental as the script or cinematography, builds the atmosphere of a film that doesn’t just revisit a silent-era classic but transforms it into a visual and conceptual manifesto.

Linda Muir, celebrated for her collaborations with Eggers in The Witch and The Lighthouse, weaves a narrative oscillating between historical accuracy and poetic imagination. Her costumes go beyond merely replicating Victorian silhouettes from the 19th century, crafting a dialogue between past and present. They embody the aesthetic obsessions of our era: the gothic, the sublime, and the feminine as a space of contradiction and resistance.

The costumes in Nosferatu evoke an unsettling dichotomy. On one hand, they are deeply rooted in gothic fashion and the silhouettes of dark romanticism; on the other, they speak to individuality and contemporary reinterpretation. Muir’s choices—delicately worked lace, corsets that both constrict and empower, and sleeves that stretch the figure into something ethereal—serve as visual metaphors for desire, control, and fragility. Lily-Rose Depp, as Ellen, exemplifies this approach. Her costumes don’t just highlight her vulnerability; they also